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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always...

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always emphasising the sensual, the erotic, the full-frontal nude presented without discretion or modesty. We see variations on this pose - seated, knees parted - over and over and over again.

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile,...

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile, the confident sensuality in baring his beautiful body, the drape of pale fabric let hang tantalisingly low - a fantastically erotic image without being at all explicit.

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large...

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large nor so detailed; do take a closer look at the full size image to fully appreciate such an exquisite man!

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have...

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have dubbed him the brooding beauty.

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I...

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I shall have to make room for one more!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his...

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his photographs (such as that dear favourite, the full-length portrait of Carlo)

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these...

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these dark volcanic rocks before, here and here.

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting...

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting parted lips. He has appeared before, on the right in this equally erotic photograph

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently...

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently bared body, even how the narrow necklace seen in the first picture carries a collection of pendants. Though his hair seems very different, several models from 1890s Taormina appear to favour a fashion for hair close-cropped at the back and in luxuriant curls at the front.

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their...

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their power to entice and arouse those who look upon them. How proud would they be to know we still pass their pictures around for admiration over a century later! We have seen this particular model pose before, here, and also here.